Blogs

Colonial Legacy in Modern Syria

How the Colonial Legacy in Modern Syria Still Shapes Our Future

If you’ve ever tried to explain Syria’s complex present without touching on its colonial past, you’ll find it doesn’t quite

differences between exile and refugee

When Words Carry Worlds: The Real Differences Between Exile and Refugee

Over the years, I’ve received many letters, some from young readers in the diaspora, others from older Syrians who left

war affects storytelling

One Person’s Story of Storytelling: How War Affects Storytelling in Syria and Beyond

Sometimes, I receive messages from readers asking me why my stories no longer feel like they used to, why the

fight for Cultural Preservation

Why I Write: Cultural Memory, Literary Resistance, and Syria’s Survival

If there’s one question I return to often, both in life and in literature, it’s this: What happens to a

An Interview with Siwar Al Assad

Writing, War, and the Will to Rebuild: A Conversation with Siwar Al Assad

Over the years, I’ve received countless messages, some sent quietly by email, others left as public comments on social media.

The Psychology of Storytelling in Post-Conflict Syria

Why Stories Survive When Cities Don’t: The Psychology of Post-War Syria

When a city crumbles, you don’t just lose buildings, you lose the echoes. The morning calls to prayer. The chatter

Protect Strategies for Heritage Sites in Active Conflict

Can We Really Save Our Ruins? How to Protect Culture When Bombs Are Falling

When I first stood in the shadow of Palmyra’s ancient columns as a child, I didn’t yet understand what they

Transitional Justice vs. Cultural Memory

Justice or Memory? What Post-War Syria Can’t Afford to Forget

In the aftermath of war, there’s always a question: what comes first, accountability or healing? For Syria, a nation carrying

The Role of Art in Syrian Refugee Mental Health

Why Art Helped Me Heal, And Why It Still Matters for Syrian Refugees

I grew up surrounded by color, Damascene courtyards painted with jasmine, old books stacked in my father’s study, calligraphy that